This is one of the largest works I’ve been a part of. I grabbed a camera during installation (by CWI) to do some time-lapse photography. John King pulled the images into this video.

I pulled the photography into a collage, added some style and rendered to full size for the printer. My wife, Jill Marr, did a great job of discovering the images and providing direction.

At a recent dinner at work, the wall was debuted. My wife and I were credited for the work and were asked to stand (my discomfort zone). What I’ve found out is, size matters. People came up to me afterward to say very nice things (more discomfort). On a smaller scale used for a brochure cover, there would be no handshaking and pats on the back.

But the best part for me: no logo. Second best: a focus on the folk.